On page 187 of the March 21, 1935 edition of the periodical Light, which can be read here, we get two astonishing accounts. First, we hear of the sighting of an apparition:
"In the Revue Spirite Beige for February (Liège), Dr. Lucien Graux tells the following story. One night, M. Albert Lambert, of the Comédie Française, was silently going over his part in ' Ruy Bias' in his private room, when there entered a man in a long cloak, who was the very image of the Ruy Bias of the title part of the play. The apparition commenced to recite Victor Hugo’s verses. Albert Lambert listened with every sense alert; it was as though revelation and enlightenment were coming to him from the other world. When he was afterwards questioned about this vision, the famous actor replied: ' You wish to know whether it was an illusion, whether I really saw, or only thought I saw? My emphatic reply is this : I both saw and I heard.' ”
Then we have an account of a mysterious blue orb appearing at a seance:
"An eye-witness has sent to the Neues Wiener Journal (Vienna, January 7th), an interesting account of a sitting with the young French Medium, Mile. Remy. The sitters were the guests of Professor Lyonel, and included two well-known University Professors, two medical men, and an engineer, who was in charge of an intricate set of control apparatus, including a camera for infra-red film photography, as well as one that registered even the faintest manifestation of light. The delicate-looking young girl sat down in an armchair and was then put into slight hypnotic sleep. After an interval of only five minutes, Professor Lyonel was touched by a hand and the correspondent by another; then the table on which the sitters’ hands were resting was raised by powerful pressure from below and levitated into the air. The wish was expressed that the hitherto sceptical investigators might be enabled to see what was taking place, and a second later an iridescent ball of blue light appeared close under the ceiling; and the ticking of the light-registering apparatus gave independent evidence of this fact. By the light of this ball of blue, the sitters saw that the table was raised six to seven feet above the floor. The light then sank down over the Medium’s chair, revealing the sleeping figure of the young girl; and so profound was this sleep that it was not broken when, next moment, with a loud report, the ball of light burst and disappeared.
The account ends: 'There followed ten minutes of expectant waiting, when suddenly the room was filled with the most marvellous but infinitely sad music of a violin. We had seen before the room was darkened that, amongst the instruments on its walls, there was a violin, with its bow beside it. But whose was the masterhand that was now playing it? Certainly not the Medium’s, for, under the controlling eyes of the apparatus, she could not leave her seat even for one second without being detected; and the strip of film which I was allowed to examine later on proved that throughout the seance Mile. Remy had never left her chair. But the photograph also showed a film-like hand hovering in the air, with the delicate tapering fingers of a woman—ethereally delicate, as if from another world than ours.' ”
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